Afterimages Magazine
Przemek Hajek
Desain Media Cetak dan Terbitan Afterimages Magazine ᨑᨗ Przemek Hajek The graphic design concept and visual communication for the Afterimages art magazine is coherent: from logo, identity to the layout. The main goal of the project was to tackle with the legacy of the Strzeminski Academy of Fine Arts in Lodz and create a modern version of it that stems from the avant-garde tradition. Rough quality paper, dry-stamping technique, the printing colour (Pantone) applied to the cover, corresponds to the topic of each issue. The magazine is richly illustrated, filled with quality photos, and in this respect it resembles life style magazine.
ᨄᨈᨑᨗᨆ ᨔᨒᨀ A' Design Award
Afterimages Magazine ᨕᨔᨛᨒᨙᨊ Przemek Hajek ᨕᨗᨊᨑᨗᨈᨘ ᨄᨈᨑᨗᨆ ᨑᨗᨄᨀᨒᨛᨅᨗ ᨑᨗ ᨄᨄᨀᨒᨛᨅᨗ A' Penghargaan Desain Media Cetak dan Terbitan. Afterimages Magazine ᨆᨈᨑᨗᨆ ᨔᨒᨀ A' Design Award ᨑᨗ ᨈᨕᨘ 2022 ᨊᨛᨊᨗᨕ ᨑᨗᨄᨀᨗᨈ ᨑᨗ Award Winner ᨔᨗᨅᨓ ᨉᨙᨔᨕᨗ ᨆᨒᨕᨗᨊᨙ ᨆᨗᨊᨔ ᨆᨒᨛᨅᨗ. ᨅᨌᨕᨗ ᨄᨄᨗᨔᨛᨊ ᨄᨑᨚᨐᨙ, ᨔᨄᨕᨗ ᨕᨔᨛᨒᨙ ᨆᨒᨕᨗᨊᨙ ᨑᨗ Przemek Hajek ᨊᨛᨊᨗᨕ ᨕᨗᨔᨛᨂᨗ ᨄᨘᨊᨊ ᨔᨅ ᨉᨙᨔᨕᨗ Afterimages Magazine ᨆᨄᨀᨗᨈ ᨌᨗᨑᨗ ᨆᨅᨙᨉ ᨑᨗ ᨕᨔᨛᨒᨙ ᨔᨕᨗᨂᨊ.
ᨄᨄᨗᨔᨛᨊ Afterimages
Desain Media Cetak dan Terbitan Afterimages Magazine ᨑᨗ Przemek Hajek The graphic design concept and visual communication for the Afterimages art magazine is coherent: from logo, identity to the layout. The main goal of the project was to tackle with the legacy of the Strzeminski Academy of Fine Arts in Lodz and create a modern version of it that stems from the avant-garde tradition. Rough quality paper, dry-stamping technique, the printing colour (Pantone) applied to the cover, corresponds to the topic of each issue. The magazine is richly illustrated, filled with quality photos, and in this respect it resembles life style magazine. Afterimages ᨆᨈᨑᨗᨆ ᨄᨄᨀᨒᨛᨅᨗ ᨔᨒᨀ A' Design Award, ᨈᨗᨀᨛ ᨄᨄᨀᨒᨛᨅᨗ ᨆᨒᨛᨅᨗ ᨑᨗ A' Design Award & Competition. ᨉᨙᨔᨕᨗ ᨄᨈᨑᨗᨆ ᨔᨒᨀ A' Design Award ᨆᨔᨛᨉᨗ ᨀᨑᨙᨕᨈᨗᨄᨗᨈ ᨔᨗᨅᨓ ᨉᨙᨔᨕᨗ ᨆᨒᨗᨂᨙ, ᨊᨛᨊᨗᨕ ᨑᨗᨄᨗᨒᨗ ᨑᨗ ᨍᨘᨑᨗ ᨆᨒᨚᨄᨚ ᨔᨛᨅᨁᨕᨗ ᨕᨔᨛᨒᨙ ᨆᨒᨗᨂᨙ ᨀᨘᨕᨒᨗᨈᨔᨊ ᨑᨗ ᨀᨈᨙᨁᨚᨑᨗᨊ, ᨑᨗᨆᨘᨊᨑᨗᨕ ᨄᨛᨑᨗᨀᨗᨔ ᨕᨀᨉᨙᨆᨗ ᨆᨒᨛᨇᨘ, ᨆᨊᨘᨑᨘ ᨕᨙᨈᨗᨀ, ᨆᨊᨘᨑᨘ ᨀᨘᨕᨒᨗᨈᨔᨊ ᨊᨛᨊᨗᨕ ᨈᨛᨊᨑᨗ ᨀᨘᨕᨔᨕᨗ. ᨑᨗᨒᨒᨛᨊ ᨄᨛᨑᨗᨀᨗᨔᨕᨙ, ᨉᨙᨔᨕᨗ ᨑᨗᨕᨍᨘᨀᨂᨙ ᨑᨗᨄᨗᨒᨗ ᨆᨊᨘᨑᨘ ᨄᨛᨑᨗᨀᨗᨔ ᨑᨗ ᨔᨙᨕᨙᨒᨙᨆᨘ ᨈᨛᨊᨑᨗ ᨕᨗᨔᨛᨂᨗ ᨕᨔᨛᨊ ᨄᨛᨅᨘᨕᨙ, ᨆᨊᨘᨑᨘ ᨄᨈᨚᨀ ᨄᨛᨊᨗᨒᨕᨗᨕ ᨄᨘᨑ ᨑᨗᨈᨛᨈᨛᨀᨙ ᨊᨛᨊᨗᨕ ᨑᨗᨄᨕᨗᨔᨛ ᨑᨗ ᨈᨕᨘ ᨆᨙᨁᨕᨙ.
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